2009 Gibson Jeff Beck 1954 Les Paul Oxblood Aged Signed #29

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This is #29, of the 50 guitars Jeff Beck played, numbered, and signed. It is a reissue of Jeff’s famed 1954 Les Paul, used on the “Blow By Blow” album.

This Tom Murphy Aged recreation features two Humbuckers, and a “Oxblood” finish.

The 1954 Les Paul originally had P90 pickups in it, but Jeff’s had been fitted with 2 humbuckers, before he recorded “Blow By Blow”… Also, in 1954, the Les Paul was produced as a Goldtop, on Jeff’s guitar, someone had attempted to paint it black, they didn’t do a very good job & the Goldtop came through which created the now famous “Oxblood” color! Every ding, dent, nick, and scratch have been carefully re-produced by Tom Murphy to be as exact as possible. Number 29 of 50…

Many great off-the-shelf electric guitars have had their reputations elevated by the legendary artists who have played them. Once in a while, however, a heavily modified instrument is used to make such groundbreaking music that the erstwhile “one-off” becomes iconic in and of itself. The best known and most revered of these is arguably Jeff Beck’s Oxblood Les Paul, a guitar from the heart of tone history. Now, Gibson Custom unveils the most accurate recreation of the Jeff Beck Oxblood Les Paul ever produced. From its aged and authentic Oxblood finish to the custom-tailored neck profile modeled precisely from Beck’s original instrument to the blistering and powerful sounds produced by Gibson’s legendary Burstbucker humbucking pickups, the new Jeff Beck Oxblood Les Paul from Gibson Custom leaves nothing to chance. It is simply one of the most exact replicas of any historic guitar ever produced by the master craftsmen at Gibson Custom.

As such, the new Jeff Beck Oxblood was available in very limited numbers. The first 50 of these historic guitars were carefully aged by the master luthiers at Gibson Custom to look exactly like Beck’s original, then personally hand-signed, numbered and played by Beck himself. The next 100 guitars were prepared with Gibson Custom’s pioneering V.O.S. finish, bringing the total run to just 150 rare instruments. Each one also comes with a standard Gibson Custom case and a certificate of authenticity.

Beck made a big name for himself right from the start, stepping into very big shoes in The Yardbirds as Eric Clapton’s replacement, then splitting off to form The Jeff Beck Group with Ron Wood and Rod Stewart in 1967, all before the age of 25. Come the ’70s, though, Beck was forging his reputation as a solo artist — and one of the hottest guitarists of his generation — and he was doing it on a Gibson Les Paul. And like so many legendary guitars, the Les Paul in question made its way into its artist’s hands not through an endorsement deal, or a gift from the manufacturer, but through the lucky happenstance of some down-time being killed with a little browsing at a local music shop.

While recording in Memphis, Tenn., Beck paid a visit to a popular music store called Strings and Things to check out the stock. The guitar that caught his attention was a ’54 Gibson Les Paul that a customer had dropped in for some very specific modifications. One request was that its original Goldtop finish be stripped off in favor of a deep chocolate-brown finish, a color that turned out to exhibit some oxblood tints in certain light. Other modifications included the installation of full-size humbucking pickups in place of the P-90s, altering the full and rounded early ’50s neck shape to a slightly thinner profile and changing the original tuners for modern replacements. Legend has it that the customer didn’t like the results … but Jeff Beck did. He purchased the modified Les Paul from the store, and ended up playing it extensively on tour and in the studio. He even gave it pride of place on the cover shot of his milestone 1975 album,Blow By Blow. A tone legend was born.

A Legend Reborn

The 1954 Jeff Beck Les Paul Oxblood is the most detail-precise reissue of this hallowed instrument ever produced by Gibson Custom. All of the intensively accurate Custom Shop craftsmanship is there. From the one-piece light mahogany back to the accurately-arched carved maple top to the light aluminum wrapover bridge to the one-piece Beck-profile mahogany neck with long-tenon neck joint. Beyond even these, however, the instrument exudes the vibe of the original, with a feel, sound and finish match that pay homage to Beck’s own modified Les Paul.

Even the pickups, Gibson’s Burstbucker 2 and Burstbucker 3 (neck and bridge respectively) are among the most accurate vintage PAF reproductions that Gibson has ever conceived, right down to the irregular windings from coil to coil and their lack of potting, two ingredients that contribute to an authentic late-’50s and early ’60s humbucker tone.

This guitar spoke to Jeff Beck throughout the ’70s, and it defined his throaty, emotive tone and encouraged his extreme use of sustain and harmonic feedback, all along the way helping to define the cornerstone sound of the Gibson Les Paul in the hands of a superlative artist.